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Box 2 PPC

 Container

Contains 4 Results:

Image group 1: Kumejima tsumugi (pongee), November 1981

 File — Box: 2 PPC, item: 1.1 through 1.31
Identifier: PPC .S745
Scope and Contents

These images were printed from negatives stored in folders 1, 2, 3, 4, and 5. The images illustrate the process of producing silk cloth starting with spinning the silk, dyeing the yarn, mordaning the yarn with iron-rich mud, drying, and weaving.

Dates: November 1981

Image group 2: Making Echigo jōfu, August 1983

 File — Box: 2 PPC, item: 2.1 through 2.24
Identifier: PPC .S745
Scope and Contents

These images were printed from negatives stored in folder 34.

They illustrate the process of making Echigo jōfu in the workshop of Maruasa Kojo, including twisting yarn, warping and marking yarn for dyeing for ikat, tying yarn for dyeing for ikat, and the resulting yarn ready to be woven.

Dates: August 1983

Image group 3: Making Kijoka bashōfu, November 1981

 File — Box: 2 PPC, item: 3.1 through 3.31
Identifier: PPC .S745
Scope and Contents These images were printed from negatives stored in folders 5, 6, 7, 8, 9, and 10.They illustrate making cloth in the workshop of Taira Toshiko, master weaver and a "Living National Treasure of Japan". The images show cutting down of bashō trees to make the fiber, processing the plant to soften the fibers, removing impurities, splitting into fibers, making yarn from the fibers, twisting the yarn, warping, tying the yarns to be dyed for ikat, weaving, and polishing the...
Dates: November 1981

Image group 4: Examples of Echigo jōfu hōgake banners from Niigata

 File — Box: 2 PPC, item: items are not numbered, approximately 100 images
Identifier: PPC S.745
Scope and Contents From the Series: All of the images are related to Stinchecum's field research into traditional practices of fiber production and ikat weaving in Japan. There appear to be two sets of images: 35mm color slides (575) and black and white negatives (1316). The negatives are accompanied with contact sheets and some of the negatives were also developed and printed on 5x7 paper. The 5x7 prints were grouped, presumably by Stinchecum, to illustrate various workshop practices.Some of the...
Dates: 1981-1983