Subject Source: Local sourcesScope Note: To identify items in the Moving Image data set.
Found in 273 Collections and/or Records:
Identifier: Film Collection no. 234
Scope and Contents Filmed during the Finley-Church Expedition to the Northland, 1926. William L. Finley and Arthur N. Pack both contributed footage of large mammals to this film. This film presents little animal behavior information, but it serves as a portrait of some large North American mammals. A variety of North American mammal species are represented: pronghorn antelope, mountain sheep, caribou, buffaloes, moose, mule deer (adult and calf), black and grizzly bears (adults and cubs). Tourists at...
Identifier: Film Collection no. 202
Scope and Contents The Lerner Marine Laboratory, on Bimini in the Bahamas, was established in the same year this film was made, 1948, and given to the museum by Michael Lerner. The film opens with travelogue material: markets, streets, traffic policemen, adults and children, before it moves to the research center, with views of the grounds of the center, Lerner's yacht, the Playmate, and Helen Lerner, Lerner's wife, fishing from a skiff. At the laboratory, Lerner, William King Gregory, AMNH vertebrate...
Identifier: Film Collection no. 87
Scope and Contents Robert Cushman Murphy, AMNH ornithologist, is a guest on this program. The topic under discussion is the intelligence of birds and their relative lack of intelligence in relation to other creatures. Demonstrations in the studio include live specimens and models, with a presentation of performing African lovebirds. Murphy argues that, despite claims that species such as talking parrots, parakeets, and mynas are intelligent, most birds rank low in intelligence, usually just above reptiles....
Identifier: Film Collection no. 95
Scope and Contents SEGMENT 1: Birds of Paradise. Ernest Thomas Gilliard, AMNH curator of birds, joins Charles Collingwood to discuss birds of paradise as examples of beauty. Gilliard led an expedition to New Guinea in 1953-54 to study the birds of paradise, found almost exclusively in New Guinea. Their uses in native costume are shown. A large photographic blow-up of the birds is used as a backdrop for the discussion in the studio. SEGMENT 2: Spiders. Demonstrating the beauty and the beast in nature, this...
Identifier: Film Collection no. 126
Scope and Contents The setting for this broadcast is a Buddhist temple in Farmingdale, New Jersey, in a community where 160 Tibetan political and religious refugees have settled. Buddhist rituals, customs, and special New Year's day celebrations are observed as the community celebrates its freedom. Filmed studies of Buddhist temples in Asia, statues of Buddha, a boy becoming a Buddhist monk, pilgrims praying, and death and cremation, visually enhance this examination of Buddhism. Geshe Wangyal, professor of...
Identifier: Film Collection no. 218
Scope and Contents Filmed during the Morden Expedition to Africa and Asia, 1922-1924. Filmed during William James Morden's 1922-1924 expedition by Herford Tynes Cowling, Burma presents a beautiful portrait of the people, culture, architecture, and art of the country. Beginning with footage of the Rangoon harbor, the expedition journeys up the Irrawaddy River surveying covered boats, junks, paddle boats, barges (rafts of teak logs with caretaker huts built on the surface), and oil wells. Extensive and varied...
Identifier: Film Collection no. 219
Scope and Contents Filmed during the Morden Expedition to Africa and Asia, 1922-1924. This is a William James Morden film of Burmese dancers performing a pwe, a drama or dance with dialogue, in Mandalay on the Irrawaddy River. The performance takes place on mats before a pagoda. The principal musical instruments are eighteen drums, of varying sizes, encircling a performer who beats them with his hands. A circle of brass gongs is played by another musician. Both the gongs and the drums sit within separate...
Identifier: Film Collection no. 21
Scope and Contents This film, made by the French government while Cameroon was still under French trusteeship, shows the dances of people of the southern provinces of Akonolinga, Yaounde, Doume, and Batouri. Details of clothing, ornaments, hair styles, and the xylophone that provides the music for the dances are shown. The first dance, in Akonolinga, features young girls in what is possibly an initiation dance. They wear vegetable fiber skirts, silver arm and leg ornaments and European elfin stocking caps. In...
Dates: between 1920 and 1939
Identifier: Film Collection no. 22
Scope and Contents Filmed during the AMNH-Woodcraft Indian Trip to the Southwest, 1927. The AMNH Woodcraft Indian trip was led by Ernest Thompson Seton, the author, and George Clyde Fisher (AMNH curator of visual instruction). The film depicts a variety of dances (the buffalo, hood, war, eagle, corn, deer and snowbird) performed by Indians of the Tesuque, Taos, Acoma and Santa Clara Pueblos. Fisher also filmed other activities of the local people during the trip, most notably an intertribal ceremony in Gallup,...
Identifier: Film Collection no. 24
Scope and Contents Filmed during the AMNH Eastman-Pomeroy-Akeley East African Expedition, 1926. In the opening sequence, Carl Ethan Akeley (associate in the AMNH Department of Mammalogy, and associate curator and adviser in the AMNH Department of Preparation) watches artist William R. Leigh painting habitat studies for the background of the klipspringer group, one of the dioramas now in the museum's Akeley Hall of African Mammals. At the campsite, located in the Lukenia Hills 40 miles east of Nairobi, Leigh...